Whereas the texts of Pinter and Beckett were premiered pretty much as typed, Shaffer’s were sculpted and shaped with the director, before and during rehearsals, from vast piles of overlong drafts. Whether or not this was true, Shaffer’s plays were better and more original than Salieri’s compositions certainly, though, he was not a writer to whom plays came easily. Mozart stood for a playwright of instinctive genius, such as Samuel Beckett or Harold Pinter, in comparison with whom Shaffer considered himself to be a plodder. Peter Hall, who directed Amadeus on stage, even suggested in his published diaries that the play, in which the mediocre composer Salieri is undermined by the arrival of the genius prodigy Mozart, was autobiographical.
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